The first cantata is written for the ninth Sunday after Trinity, but the following year he added a substantial work for the first Sunday after Trinity. If more than one part was composed for one instrument, the number is given, for example "3Tr" for three trumpets. Later in Leipzig, he derived several church cantatas from congratulatory cantatas, such as Erfreut euch, ihr Herzen, BWV 66, for Easter from the birthday cantata Der Himmel dacht auf Anhalts Ruhm und Glück, BWV 66a. chorale setting "Wenn einer alle Ding verstünd" (s. 8)? Bach used parody to be able to deliver cantatas for Christmas, Easter and Pentecost, which were each celebrated for a period of three days. Leonhardt conducted the Tölzer Knabenchor, Knabenchor Hannover and the Collegium Vocale Gent, and the ensemble Leonhardt-Consort. Bach sometimes reused an earlier composition, typically revising and improving it in a process called parody. 163–224, Numerical and alphabetical lists of cantatas by J. S. Bach (1685-1750) and various related works, Masses, Mass movements, Magnificats, Passions and Oratorios, https://en.wikipedia.org/w/index.php?title=List_of_Bach_cantatas&oldid=998000679, Lists of compositions by Johann Sebastian Bach, Short description is different from Wikidata, Wikipedia articles needing clarification from August 2016, Creative Commons Attribution-ShareAlike License. Bach's oratorios can be considered as expanded cantatas. [11] Cantatas for some occasions are not extant. 1–2), chorale setting "In allen meinen Taten" (s. 7), chorale setting "O Gott, du frommer Gott" (s. 7), chorale setting "O großer Gott von Macht" (s. 9), chorale setting "Warum betrübst du dich, mein Herz" (s. 11), chorale setting "Ach Gott und Herr" (s. 4), chorale setting "Herr Jesu Christ, ich schrei zu dir" (s. 12), chorale setting "Herr Jesu Christ, du höchstes Gut", chorale setting "Werde munter, mein Gemüte" (s. 6), chorale setting "Du, o schönes Weltgebäude" (s. 6), chorale setting "Hast du denn, Jesu, dein Angesicht gänzlich verborgen" (s. 6), chorale setting "Es ist genug, so nimm" (s. 5), chorale setting "Gelobet seist du, Jesu Christ" (s. 7), chorale setting "Was frag ich nach der Welt" (s. 1), chorale setting "Jesu, meine Freude" (s. 5), chorale setting "Ein Kind geboren zu Bethlehem" (s. 4), chorale setting "Puer natus in Bethlehem", chorale setting "Ich hab in Gottes Herz und Sinn" (s. 10), chorale setting "Was mein Gott will, das gscheh allzeit", chorale setting "Alleluja", s. 3 from "Christ ist erstanden", chorale setting "Du Friedefürst, Herr Jesu Christ" (s. 1), chorale setting "Es woll uns Gott genädig sein" (s. 3), satbSATB 3Tr Tmp Fl 3Ob Oba Odc Bas Str Bc, chorale setting "Was Gott tut, das ist wohlgetan" (s. 6), chorale setting "Meinen Jesum laß ich nicht, weil" (s. 5), satbSATB 3Tr Tmp 2Fl Vc 2Ob Bas Str Vne Org, chorale setting "Von Gott will ich nicht lassen" (s. 9), chorale setting "Gott Vater, sende deinen Geist" (s. 2), chorale setting "Kommt her zu mir, spricht Gottes Sohn". In an aria of BWV 172, addressing the Heiligste Dreifaltigkeit (Most holy Trinity), the bass is accompanied only by three trumpets and timpani. On the other hand, some modern performances and recordings use one voice per part. Typically, he began a heading with the abbreviation J.J. (Jesu juva, "Jesus, help"), followed by the name of the celebration, the beginning of the words and the instrumentation, for example in Gloria in excelsis Deo, BWV 191. It is sortable by the cantata number which equals the number in the Bach-Werke-Verzeichnis (BWV), by title, by occasion during the liturgical year, the year of composition and date of first performance, as far as known. J. C. J. He probably composed his last cantata in 1745. Chorale cantatas between Trinity and Easter: Later additions to the chorale cantata cycle: church cantatas composed for occasions of the liturgical year, Learn how and when to remove this template message, Learn how and when to remove these template messages, personal reflection, personal essay, or argumentative essay, Church cantata (Bach) § History and context, Was mir behagt, ist nur die muntre Jagd, BWV 208, Lobet den Herrn, alle seine Heerscharen, BWV Anh. In 1928, The New York Times reported the presentation in Paris of two secular Bach cantatas by opera soprano Marguerite Bériza and her company in staged productions, The Peasant Cantata and The Coffee Cantata. The chorale was typically the chorale prescribed for that week (Hauptlied or Wochenlied). I: Die geistlichen Kantaten des 1. bis 27. [38] Sir John Eliot Gardiner and his Monteverdi Choir undertook the Bach Cantata Pilgrimage, performing and recording in the year 2000 the sacred cantatas at churches all over Europe and in the United States. Bach's major works such as the Passions and the Mass in B minor are inserted in the listing for comparison. In Ich will den Kreuzstab gerne tragen, BWV 56, he wrote Cantata à Voce Sola e Stromenti (Cantata for solo voice and instruments). The Café Zimmermann, or Zimmermannsches Kaffeehaus was the coffeehouse of Gottfried Zimmermann in Leipzig which formed the backdrop to the first performances of many of Bach's secular cantatas, e.g. [31], After Bach's death the cantatas fell into obscurity even more than his oratorios. 12 volumes. In Leipzig Bach was responsible for the town's church music in the Thomaskirche and Nikolaikirche and was head of the Thomasschule. Other cantatas by Bach that are usually seen as belonging to the chorale cantata cycle: For four further chorale cantatas it is unclear for which occasion they were composed, and whether they were intended to be added to the cycle: After Trinity of 1725 Bach began a third annual cycle, but with less consistency. Tromboni / e / Continuo. This page was last edited on 3 January 2021, at 07:50. Ihr herrschenden Götter der Erden, Meine Seel erhebt den Herren, BWV Anh. The title plays off J. S. Bach's "Coffee" Cantata. Advent bis zum Trinitatisfest, Kassel/Stuttgart 2007. BWV 81, Ich bin vergnügt mit meinem Glücke, BWV 84, Wahrlich, wahrlich, ich sage euch, BWV 86, Bisher habt ihr nichts gebeten in meinem Namen, BWV 87, Siehe, ich will viel Fischer aussenden, BWV 88, Was soll ich aus dir machen, Ephraim, BWV 89, Es reißet euch ein schrecklich Ende, BWV 90, Wer nur den lieben Gott läßt walten, BWV 93, Herr Christ, der einge Gottessohn, BWV 96, Nimm von uns, Herr, du treuer Gott, BWV 101, Herr, deine Augen sehen nach dem Glauben, BWV 102, Herr, gehe nicht ins Gericht mit deinem Knecht, BWV 105, Gottes Zeit ist die allerbeste Zeit, BWV 106, Es ist euch gut, daß ich hingehe, BWV 108, Ich glaube, lieber Herr, hilf meinem Unglauben, BWV 109, Was mein Gott will, das g'scheh allzeit, BWV 111, Herr Jesu Christ, du höchstes Gut, BWV 113, Ach, lieben Christen, seid getrost, BWV 114, Du Friedefürst, Herr Jesu Christ, BWV 116, Sei Lob und Ehr dem höchsten Gut, BWV 117, O Jesu Christ, meins Lebens Licht, BWV 118, Gott, man lobet dich in der Stille, BWV 120, Herr Gott, Beherrscher aller Dinge, BWV 120a, Gott, man lobet dich in der Stille, BWV 120b, Liebster Immanuel, Herzog der Frommen, BWV 123, Mit Fried und Freud ich fahr dahin, BWV 125, Erhalt uns, Herr, bei deinem Wort, BWV 126, Herr Jesu Christ, wahr' Mensch und Gott, BWV 127, Aus der Tiefen rufe ich, Herr, zu dir, BWV 131, Bereitet die Wege, bereitet die Bahn, BWV 132, Ein Herz, das seinen Jesum lebend weiß, BWV 134, Die Zeit, die Tag und Jahre macht, BWV 134a, Erforsche mich, Gott, und erfahre mein Herz, BWV 136, Lobe den Herren, den mächtigen König der Ehren, BWV 137, Warum betrübst du dich, mein Herz, BWV 138, Wohl dem, der sich auf seinen Gott, BWV 139, Nimm, was dein ist, und gehe hin, BWV 144, Ich lebe, mein Herze, zu deinem Ergötzen, BWV 145, Herz und Mund und Tat und Leben, BWV 147a, Bringet dem Herrn Ehre seines Namens, BWV 148, Schau, lieber Gott, wie meine Feind, BWV 153, Mein liebster Jesus ist verloren, BWV 154, Ich lasse dich nicht, du segnest mich denn, BWV 157, Sehet, wir gehn hinauf gen Jerusalem, BWV 159, Ach! Although the German term Bachkantate (Bach cantata) became very familiar, Bach himself rarely used the title Cantata in his manuscripts. Cantatas, under his personal direction, were performed in the Nikolaikirche and in the Thomaskirche, alternating on ordinary Sundays. He composed it probably between 1732 and 1735. Bach worked in Köthen from 1717 to 1723, where he composed for example the Brandenburg Concertos. Masaaki Suzuki commenced in 1995 a project to record the complete sacred cantatas with his Bach Collegium Japan for the Swedish label BIS; he completed the process in 2013. 6–7), chorale setting "Jesu, deine tiefen Wunden", chorale setting "Wach auf, mein Herz, und singe" (ss. Lib., by Picander, refers to the growing fondness for coffee at the time it was comp. The orchestra that Bach used is based on string instruments (violin, viola) and basso continuo, typically played by cello, double bass (an octave lower) and organ. Bach started it on the first Sunday after Trinity of 1723 and wrote a first annual cycle. There is evidence suggesting that he composed a cantata as an audition piece for Mühlhausen, and this may have been Christ lag in Todes Banden, BWV 4. Other cantatas are assumed to date from this period: Bach worked in Weimar from 1708. In a satirical commentary, the cantata amusingly tells of an addiction to coffee. A couple of the surviving cantatas can be firmly dated to his time in Mühlhausen. In addition to the church cantatas composed for occasions of the liturgical year, Bach wrote sacred cantatas for functions like weddings or Ratswahl (the inauguration of a new town council). The cantatas composed by Johann Sebastian Bach, known as Bach cantatas (German: Bachkantaten), are a body of work consisting of over 200 surviving independent works, and at least several dozen that are considered lost. Church cantata performances alternated in the two churches for ordinary Sundays and took place in both churches on high holidays such as Christmas, then one in the morning, one in the afternoon, and again alternating for the three days such an occasion was celebrated. BWV 172, Bach marked a repeat of the opening chorus after the chorale. Erschallet, Trompeten! [example needed]. BWV 172, Ich liebe den Höchsten von ganzem Gemüte, BWV 174, Er rufet seinen Schafen mit Namen, BWV 175, Es ist ein trotzig und verzagt Ding, BWV 176, Ich ruf zu dir, Herr Jesu Christ, BWV 177, Wo Gott der Herr nicht bei uns hält, BWV 178, Siehe zu, daß deine Gottesfurcht nicht Heuchelei sei, BWV 179, Barmherziges Herze der ewigen Liebe, BWV 185, Singet dem Herrn ein neues Lied, BWV 190a, Ihr Häuser des Himmels, ihr scheinenden Lichter, BWV 193a, Laß, Fürstin, laß noch einen Strahl, BWV 198, Geschwinde, ihr wirbelnden Winde, BWV 201, Zerreißet, zersprenget, zertrümmert die Gruft, BWV 205, Vereinigte Zwietracht der wechselnden Saiten, BWV 207, Auf, schmetternde Töne der muntern Trompeten, BWV 207a, Was mir behagt, ist nur die muntre Jagd, BWV 208, Was mir behagt, ist nur die muntre Jagd, BWV 208a, Laßt uns sorgen, laßt uns wachen, BWV 213, Tönet, ihr Pauken! This is reflected in the recordings discussed below. Academic functions took place at the Universitätskirche St. Pauli. Vol. ich sehe, itzt, da ich zur Hochzeit gehe, BWV 162, Ihr, die ihr euch von Christo nennet, BWV 164, Ihr Menschen, rühmet Gottes Liebe, BWV 167, Gott soll allein mein Herze haben, BWV 169, Vergnügte Ruh, beliebte Seelenlust, BWV 170, Gott, wie dein Name, so ist auch dein Ruhm, BWV 171, Erschallet, ihr Lieder, erklinget, ihr Saiten! Distinct from the cantatas, a narrator, the Evangelist, tells a story in the exact Bible wording, while soloists and the choir have "roles" such as Mary or "the shepherds", in addition to reflective chorales or arias commenting on the story. / â / 4. / 4. Colouring shows which cantatas are not extant church cantatas and which works were not even composed by Bach, but attributed to him in the past. This work shares with J S Bach's "Coffee cantata" the distinction of being the only such works on the comtemporary craze for coffee. S. バッハの世俗カンタータ。 1732年から1734年にかけて作曲されたカンタータであり、小喜歌劇である。. Bach Coffee Cantata BWV 211, Emma Kirkby - soprano, David Thomas - bass, Rogers Covey-Crump - tenor. Johann Sebastian Bach (1685-1750) was also apparently a coffee enthusiast. Bach's … The new cantatas Bach composed for Easter of 1725 and afterwards were not chorale cantatas: Two of these, BWV 128 and BWV 68, both starting with a chorale fantasia, are sometimes seen as included in the chorale cantata cycle. 6–7), chorale setting "Barmherzger Vater, höchster Gott" (s. 9), chorale setting "Ich hab in Gottes Herz und Sinn", chorale setting "Der Herr ist mein getreuer Hirt" (s. 1), chorale setting "Allein Gott in der Höh sei Ehr", chorale setting "Jesu, der du meine Seele" (s. 11), chorale setting "Gott Vater, sende deinen Geist" (s. 10), satbSATB 3Tr Tmp 2Fl 3Ob Oba Odc Bas Str Bc, chorale setting "Wir Christenleut" (s. 5), chorale setting "Der Herr ist mein getreuer Hirt" (s. 5), chorale setting "Herr Jesu Christ, du höchstes Gut" (s. 8), chorale setting "Ach, lieben Christen, seid getrost" (s. 6), chorale setting "Mache dich, mein Geist, bereit" (s. 10), chorale setting "Straf mich nicht in deinem Zorn", chorale setting "Sei Lob und Ehr dem höchsten Gut" (ss. 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