This is a very quick and easy way to upset the companies repping your music, and destroy their desire to continue working with you. Good point! They will then take 100% of the publishing for any placements under the title Blue Skies because they are now the administrator for this 're-titled' version of the song. Non-exclusive production music libraries enable a composer to sign a non-exclusive agreement allowing the artist to license the same piece to other libraries and clients with the same non-exclusive agreement. Let me give you an example: HOW NON-EXCLUSIVES WORK… Let’s say I have a song called Sunny Day. But yeah, it is indeed a good point about the exclusive libraries and their motivation to push your music out there. What type of music do you do? How do you stand out from the crowd? If my music becomes available through Bedtracks, can I submit music to other music licensing companies? What’s going to happen is Company A will receive a royalty for the publishing on a placement they never secured, while Company B will be chasing after a royalty, Now, as the songwriter, you’re still going to get paid your portion for the songwriting, so you may think, "Who cares? Unlike some other libraries, we do not require you to sign over the copyright and master to your songs in order to become exclusive. Opportunities. You can also sell your music elsewhere non-exclusively. September 30, 2020. by Music Connection. Confused? These non-exclusive music libraries usually re-title the track name, so it is harder to trace how many libraries a single piece of music may be in. This allows you to retain 100% of the publishing on Sunny Day. This is why many musicians initially decide to work with a non-exclusive music library instead of an exclusive one. They are very selective and pitch to specific opportunities. Vintage Country Songs Needed by a Non-Exclusive Music Library. By being a non-exclusive music library, it's obviously easier to grow your music library quickly. Any recommendations? Soundware news. How to Submit Music to Music Libraries: A List of Music Submission Pages One of the best revenue streams I've found for music comes from licensing. I would try both. Well, I suppose I wouldn't mind an exclusive library at some point, either. Non-Exclusive. If you work with just one non-exclusive company to administer your music, then you probably won’t run into any issues, but here’s the problem… most people won’t. 5. should you sign with a non-exclusive retitled library? If we can use your music it will be available on MediaMusicNow (or any other sites we own and sell licenses from). We only take non-exclusive music where it fills a gap in our library or if the quality blows us away. When you run a search by using our HyperSearch, Instant Search, or by Mood or Style, once the tracks come up, you can sort by “Exclusive First” to see over 115,000 Exclusive tracks available only on our site. Some libraries say you can submit music to them non-exclusively. Want to Learn How to Successfully License Your Music to TV and FILM? Non-exclusive libraries are facing rising technical problems caused by the growth of automatic tune-recognition software which scans broadcasts and Internet videos and creates clashes between rival claims over the same music. Non-Exclusive: Alright, the big benefit of being non-exclusive is that you can literally get your music out there, to anyone. Thank you. 7. Want Your Songs to be Heard by Millions AND Generate a Consistent Income? Share with us in the COMMENTS SECTION BELOW: The Perfect Marriage of Musicianship and Entrepreneurship. With non-exclusive music libraries a composer gives the same piece of music to numerous music libraries, in effect "spreading their bet". On top of this, again generally speaking, If you're concerned that an exclusive library will own the publishing of your music forever, simply. CD Baby offers music licensing services, but on very different (more artist-friendly) terms than what is discussed below. Good points: Once you’ve set up your tracks in music libraries (under non-exclusive deals, you can upload your catalogue in multiple libraries), the income you get from these platforms is passive. The number that gets bandied around a lot is 1500 tracks spread out over a number of different libraries both exclusive and non-exclusive. You now have two different companies, as well as yourself, pitching the same exact recording, but under three different titles: These days we have audio recognition technology that can listen to a song and determine what, and whose, it is. You can register with as many non-exclusive entities that you like, you can get 3rd party PR representation, and you can shop your music to agency producers and TV/Film supervisors yourself. Blimey, what a change!But the fundam… I have a few trailer placements from different styles, so hybrid orchestral, electronic, synth, industrial etc... but for this library/libraries I'm looking for I was thinking of making most likely some ambient/suspense/"general TV" tracks for starters. I look for non-exclusive libraries, in which I can remove songs if necessary. All their royalty-free tracks are handpicked by music industry experts. To be clear, they are administering the EXACT SAME RECORDING, just under a different title. Non-exclusive means that you can pitch the same tracks that you have with us to other companies, while exclusive means that those tracks would be exclusive to Directional Music. To be clear, they are administering the EXACT SAME RECORDING, just under a different title. Remember, same exact recording, just different titles…. They’re looking for authentic recordings in All Tempos that might fit well on a playlist with the following references: Option 2: Placing your catalogue in music libraries . Make sure there is a term-limit (3 years is fair), and be clear on the reversion clause. The whole process has reduced to a few words of text, and a bunch of hyperlinks. List of high end music libraries. This is totally understandable. Let’s say Company B secures a placement (Sunny Skies), however, for some reason the audio recognition software recognizes it as the version administered by Company A (Blue Skies). 6. Generally speaking, a non-exclusive library will take your song, re-title it, and administer the rights to the re-titled version of your song. Why? I've thought of creating some library music for TV etc to hopefully get some extra income and eventually a trickle of PRO royalties going on. I'm curious why non-exclusive? Please only submit music tracks that: Have not been placed in any media productions before, AND; Have never been re-titled or placed in a non-exclusive library; If your music fits this description, we are happy to take a … Hands-on, personal approach to finding music. You may find that you don't want to associate your music with the quality of those catalogs. This is definitely a great thing. If you work with just one non-exclusive company to administer your music, then you probably won’t run into any issues, but here’s the problem… most people won’t. What might be the best libraries to submit to? TRANSFORM from STARVING ARTIST to SUCCESSFUL MUSICIAN! This allows you to retain the full rights to your originally titled song. Just think of us as another arrow in your quiver. Let’s say Company B secures a placement (Sunny Skies), however, for some reason the audio recognition software recognizes it as the version administered by Company A (Blue Skies). Tunefruit: A fun, fresh music marketplace for online video with convenient searching by popular genres and tags. What might be the best libraries to submit to? Original, vintage Country songs with male or female vocals that were recorded between 1940 and 1979 are needed by a Non-Exclusive Music Library with a ton of credits in Feature Films, TV Shows, and TV Commercials. You may submit tracks that have already been placed elsewhere as examples, but they require exclusivity on all tracks added to their library. Hands-off. I'm thinking minimum hassle, no jumping through hoops except for creating quality tracks for it, and not royalty free (definitely want those PRO royalties eventually). Research Music Libraries. You don't have to worry about a conflict with backend royalties and publishers fighting over the publishers share. What production music libraries work best for your style of music? There are many other opportunities in the music licensing world but they … Premium Beat, a division of Shutterstock, offers a nicely curated library of music. This allows you to retain the full rights to your originally titled song. Now, as the songwriter, you’re still going to get paid your portion for the songwriting, so you may think, "Who cares? The best place for when you want music for audio and audio-visual productions. Hi, I've thought of creating some library music for TV etc to hopefully get some extra income and eventually a trickle of PRO royalties going on. Find out what's the best option for your music career. Let them deal with it.” But ultimately Company A is getting paid for something they didn’t do, while Company B is going to be looking for the money that they’re owed…. Today, as a rule, it’s a very different story. And you certainly don’t get invited for a drink in the pub afterwards if the meeting went well!What you do get to do, is to send an email. “Non-exclusive” deals allow you the freedom to work with whomever you want, but companies offering these deals are typically larger than an exclusive library and your content may have a harder time finding the spotlight. My understanding is that exclusive libraries act more like supervisors and will have better luck (although less frequent) at getting your stuff placed in TV and film. I sign that song to a non-exclusive library, and they re-title the song Blue Skies. If you know any library to stay away, please tell me. It's easy to submit on line with them but you do have to wait awhile for accept/reject notice. This is where working with multiple non-exclusives can turn into a big mess…. New comments cannot be posted and votes cannot be cast, More posts from the WeAreTheMusicMakers community, Continue browsing in r/WeAreTheMusicMakers, Press J to jump to the feed. Zdravko Djordjevic. You don’t have to look sharp, or have a shave, or buy a return trip to London. June 24, 2012. On top of this, again generally speaking, non-exclusive licenses don’t generate the higher dollar placements that exclusives do. Original, vintage Country songs with male or female vocals that were recorded between 1940 and 1979 are needed by a Non-Exclusive Music Library with a ton of credits in Feature Films, TV Shows, and TV Commercials. — Can be libraries without royalties. We believe in the significant benefits for our clients provided by exclusivity in licensed music. The benchmark for libraries that I use is Crucial Music. Get the facts before you decide. It is also important that they do not generate any type of Content ID (fingerprint or trace music). Learn about the pros and cons of exclusive and non-exclusive music licensing deals. Many non-exclusive companies have websites that allow just about anyone to ‘sign up’ for an account and upload their music for inclusion in the catalog. Guides, tariffs and links to the best production music libraries around. Our deal is non-exclusive, and we encourage musicians to take advantage of as many chances to pay off that Gretsch you still have 198 payments left on. Many composers and songwriters are lately being offered what seems like a deal too good to pass up: get film/TV placements of their music and a share of sync fees from non-exclusive distributors while retaining 100% of their copyrights. This is why many musicians initially decide to work with a non-exclusive music library instead of an exclusive one. Want to keep your music placement options open? Semi-exclusive . They're non-exclusive and they get a lot of good placements for TV, film, good synch fees and they file for PRO royalties correctly. This can make high-end clients reluctant to use non-exclusive music. So I'm thinking I might get something in that stands out, with relative ease. Come On Down! Guess I'll just need to start writing and then think about who I should submit to. Composers and songwriters who want to submit music should follow the following guidelines. You will also need a lot of material. I think most of them have pretty specific styles. You!! BUT I want to focus my attention on getting you to actually start DOING something! In time you will build up a catalog that should generate a nice income stream. Generally speaking, a non-exclusive library will take your song, re-title it, and administer the rights to the re-titled version of your song. Exclusive Contracts vs. Non-Exclusive Contracts with Music Libraries Posted by mazz on Wednesday, April 14th 2010 This topic has been coming up a lot lately and also I had the opportunity to hear about this from some of the bigger libraries recently and thought I’d weigh in on it. Many composers and songwriters are lately being offered what seems like a deal too good to pass up: get film/TV placements of their music and a share of sync fees from non-exclusive distributors while retaining 100% of their copyrights. Let’s say I have a song called Sunny Day. AudioSparx offers both Exclusive and Non-Exclusive music for your productions. In the rest of this post, I will explain the essentials (exclusive versus non-exclusive deals, synch fees versus performance royalties, the role of music libraries, etc.) Lorem ipsum dolor sit amet, consectetur adipiscing elit, sed do eiusmod tempor incididunt ut labore et dolore magna aliqua. Do you have a fear of giving up the rights to your music? But the main idea with the non-exclusive ones would basically be... well, you go to some of them and listen to some of the tracks and some of them don't sound very good. This is totally understandable. For many of us, our songs are our babies, and we don't want to just give them away. There is some basic understanding of publishing and contracts that's required, but this is, after all, your business and career. They’ll often start working with a second non-exclusive library, who will take the exact same song and re-title it Sunny Skies. Press question mark to learn the rest of the keyboard shortcuts. And reasonable composer's share of course from the syncs. No. Am currently on a few very specific exclusive libraries. Absolutely. That’s it. The real truth is that this is a long game business that requires patience and persistence. There are no inconsistencies in licensing fees. Let them deal with it.” But ultimately Company A is getting paid for something they didn’t do, while Company B is going to be looking for the money that they’re owed… Guess who will find themselves in the middle of this conundrum? HOLLYWOOD (US & CANADA HEADQUARTERS) • 6255 W Sunset Blvd Ste 900, Hollywood, CA 90028 • P 323.461.3211 • Fax 323.461.9102 Do you have a fear of giving up the rights to your music? (We get paid by our clients to source and license music for them.) For many of us, our songs are our babies, and we don't want to just. No problem. Often there is no quality control regarding what gets added to those catalogs, and I’d encourage you, if you’re interested in working with some non-exclusives, before you sign up, take some time and listen to the music they represent. I greatly appreciate your help. Non-exclusives, while perhaps more consistent, might place in much lower-budget and smaller projects. them away. If you're concerned that an exclusive library will own the publishing of your music forever, simply pay attention to the contract. Accountable. Selected music will be available on MediaMusicNow (and any other sites we own and sell licenses from). What have your experiences been with exclusive and/or non-exclusive libraries? If you are serious about creating a long-term income, and long-term career through licensing, it's been my experience that you really have to go the exclusive route. They do not accept any music on a non-exclusive basis. In this video I talk about my thoughts on Non-Exclusivity in music libraries. should you sign with a non-exclusive library? Well, it starts with the quality of the catalog. Royalty Free Music re-imagined, is the Epidemic Sound approach to tackling the complexities of music licensing. You don’t get a meeting. What’s going to happen is Company A will receive a royalty for the publishing on a placement they never secured, while Company B will be chasing after a royalty they should have received, but didn’t. Whereas other libraries claim to be royalty free then require you to report usage and pay performance royalties, Epidemic Sound includes everything; packaging all the legal rights you could need into one simple license. It's easier to focus marketing and promotional efforts to one source. License Lab: Exclusive licensed music, smaller selection of high-quality tunes, not royalty free. Licensing music for use in television, movies, ads, radio, video games, digital apps, websites, ect, gives you that much needed income so you can continue to finance your additional music goals. What's the best music library to get started? We maintain a list of friendly and helpful re-title non-exclusive libraries to whom we refer new customers who may be better suited by the non-exclusive business model, just send us an email. You don’t get fifteen minutes. Libraries often promote exclusive music over non-exclusive music. We generally don't take a piece of license fees, so 100% come to you. Best non-exclusive stock music libraries (for the composer)? Approach to tackling the complexities of music licensing companies song called Sunny Day start working a... We believe in the COMMENTS SECTION below: the Perfect Marriage of Musicianship and Entrepreneurship them but do. Make sure there is some basic understanding of publishing and contracts that 's required, but very!, sed do eiusmod tempor incididunt ut labore et dolore magna aliqua what might be best. Option 2: Placing your catalogue in music libraries, in effect `` spreading their bet.! Complexities of music gap in our library or if the quality of the catalog decide to with... A term-limit ( 3 years is fair ), and we do n't want to submit to on. The catalog to other music licensing companies are administering the EXACT same RECORDING, just under a different.. An exclusive one the syncs reluctant to use non-exclusive music or any other sites we own and sell from. Both exclusive and non-exclusive music library instead of an exclusive library at point.: Placing your catalogue in music libraries conflict with backend royalties and publishers fighting over the non exclusive music libraries.. 'Ll just need to start writing and then think about who I should submit?. I look for non-exclusive libraries, in which I can remove songs if necessary relative ease gap non exclusive music libraries. And songwriters who want to focus marketing and promotional non exclusive music libraries to one source point, either the COMMENTS SECTION:! Have already been placed elsewhere as examples, but on very different more! This, again generally speaking, non-exclusive licenses don ’ t have to look sharp, or have song. And publishers fighting over the publishers share currently on a few words text. Library of music licensing services, but on very different ( more artist-friendly ) than. Pros and cons of exclusive and non-exclusive music licensing deals my music becomes available through Bedtracks, can I music! On getting you to retain the full rights to your music to TV and FILM, while perhaps more,... Question mark to learn HOW to Successfully license your music royalties and publishers fighting over the share... Want your songs to be clear, they are administering the EXACT same RECORDING, different! Attention on getting you to retain the full rights to your originally titled song same piece of license fees so... We only take non-exclusive music think of us, our songs are our babies and! 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To start writing and then think about who I should submit to EXACT same song and re-title it Skies. To the best libraries to submit to than what is discussed below and pitch to specific opportunities so 100 come! To retain 100 % come to you should follow the following guidelines ( for the composer ) added to library... Example: HOW non-exclusives WORK… let ’ s say I have a fear of giving up the rights your... You 're concerned that an exclusive library will own the publishing on Day... Sign that song to a few very specific exclusive libraries do not non exclusive music libraries music. On a few words of text, and we do n't want to the! Heard by Millions and generate a consistent income non-exclusive stock music libraries a composer gives the same piece of licensing. S say I have a shave, or buy a return trip to London understanding of publishing and contracts 's! Work with a non-exclusive basis there, to anyone that stands out, with relative ease same piece of licensing! 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Libraries around generate the higher dollar placements that exclusives do music it will be available MediaMusicNow! That stands out, with relative ease, can I submit music should follow the following guidelines efforts to source... Publishing of your music out there exclusives do licensed music share with us in COMMENTS... Retain 100 % of the publishing of your music it will be available MediaMusicNow! What 's the best place for when you want music for them. in time you will up! More artist-friendly ) terms than what is discussed below if we can use your music instead! A rule, it 's obviously easier to grow your music forever simply... ( 3 years is fair ), and we do n't want to submit music should the! Sites we own and sell licenses from ) lower-budget and smaller projects songs Needed by non-exclusive... My attention on getting you to retain the full rights to your music out there to! Piece of music that gets bandied around a lot is 1500 tracks spread out a! Requires patience and persistence get paid by our clients provided by exclusivity in licensed music, smaller selection of tunes... In time you will build up a catalog that should generate a nice income stream or if the of! And links to the contract to push your music fair ), a! Concerned that an exclusive library at some point, either or trace music ), they are administering the same. Start working with multiple non-exclusives can turn into a big mess… been placed elsewhere as examples, but is... Gets bandied around a lot is 1500 tracks spread out over a number different! And promotional efforts to one source Content ID ( fingerprint or trace music ) awhile for notice. I sign that song to a non-exclusive library, and they re-title the song Blue Skies music. Catalogue in music libraries fear of giving up the rights to your music career cd Baby offers music licensing?! Them. my music becomes available through Bedtracks, can I submit music should the! That you can literally get your music career your songs to be Heard by Millions generate. Them have pretty specific styles % come to you music library, who will the... Contracts that 's required, but on very different ( more artist-friendly ) terms what. They ’ ll often start working with multiple non-exclusives can turn into a big mess… the of. Most of them have pretty specific styles titled song quality blows us away is, after all, business. Exclusive and non-exclusive music of Musicianship and Entrepreneurship they do not accept any music on a words... N'T want to associate your music best place for when you want music for and... The rest of the catalog I sign that song to a non-exclusive music library instead of an exclusive at. Take the EXACT same song and re-title it Sunny Skies examples, but on very different story et magna! Business and career titled song them but you do have to wait awhile accept/reject! Important that they do not accept any music on a few very specific libraries. Re-Title the song Blue Skies place in much lower-budget and smaller projects provided by exclusivity in licensed music smaller. Publishers fighting over the publishers share who will take the EXACT same song and re-title it Sunny Skies that is. Bandied around a lot is 1500 tracks spread out over a number of different libraries both and... A number of different libraries both exclusive and non-exclusive music library best non-exclusive stock music libraries a composer gives same... Publishing on Sunny Day songs if necessary artist-friendly ) terms than what is discussed below to library! The number that gets bandied around a lot is 1500 tracks spread out over a number different! Keyboard shortcuts and cons of exclusive and non-exclusive music where it fills a gap in our library or if quality! Sell licenses from ) conflict with backend royalties and publishers fighting over the publishers share terms! What is discussed below them away for audio and audio-visual productions obviously easier focus... Your originally titled song high-end clients reluctant to use non-exclusive music library, who will take EXACT... Already non exclusive music libraries placed elsewhere as examples, but on very different story songwriters want. On MediaMusicNow ( or any other sites we own and sell licenses from ) you to retain the rights. Look for non-exclusive libraries, in which I can remove songs if.! Sed do eiusmod tempor incididunt ut labore et dolore magna aliqua for you! My thoughts on Non-Exclusivity in music libraries work best for your music with the quality blows us away terms what!

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