[168] In 2013, Bear 71 received the Webby for best net art. [1]  Production personnel are between 10-25%. [76] Films from the Nunavut Animation Lab include Alethea Arnaquq-Baril's 2010 digital animation short Lumaajuuq, winner of the Best Aboriginal Award at the Golden Sheaf Awards and named Best Canadian Short Drama at the imagineNATIVE Film + Media Arts Festival. [115][116] In 2009, Norman McLaren's Neighbours was added to UNESCO's Memory of the World Programme, listing the most significant documentary heritage collections in the world.[117]. [27], In 2010, the NFB released an iPad version of their app that streams NFB films, many in high definition. As of 2017, 53% of its producers and executive producers are women, as well as half of its administrative council. [21] The Challenge for Change was also created the same year as a community media project which would develop the use of film and video as a tool for initiating social change. 2011: Annie Award for Best Animated Short Subject, 2009: Applied Arts Interactive Annual, Selected, 2009: CNMA (Canadian New Media Awards), Winner- Best Cross Platform Project, 2009: Digital Marketing Awards, Winner- Best of Show, 2009: Digital Marketing Awards, Winner-DMA Award, 2009: Hot Docs, Winner- Special Jury Prize, 2009: On Line Journalism Awards, Winner- Best Multi Media Feature Presentation, 2010: Applied Arts Interactive Annual, Selected, 2010: Applied Arts Interactive Awards, Winner – Entertainment, Arts and Tourism, 2010: Applied Arts Interactive Awards, Winner – Experimental and Artistic, 2010: Applied Arts Interactive Awards, Winner – Net Art, 2010: Applied Arts Interactive Awards, Winner – On Line Video, 2010: Applied Arts Interactive Awards, Winner – Public Service Charity, 2010: BaKaFORUM, Winner- Youth Jury Prize, 2010: CNMA (Canadian New Media Awards), Best On Line Program, 2010: CNMA (Canadian New Media Awards), Community Campaign of the Year, 2010: Communication Arts Interactive Annual, Selected, 2010: Communication Arts, Web Pick of the Week, 2010: Emmy Awards, International Digital Emmy, Non Fiction, 2010: On Line Journalism Awards, Winner- Multi Media Feature Presentation, Small Site, 2010: SXSW Interactive, Winner, Activism Category, 2011: Applied Arts Interactive Awards, Winner-Entertainment, Arts & Tourism, 2011: Banff World Television Festival, Interactive Rockie Awards, Winner- Best On Line Program – Documentary, 2011: Bellaria (Italy) Documentary Festival, Best Cross Media Doc, 2011: Communication Arts Interactive Annual, Selected, 2011: Communication Arts, Web Pick of the Day, 2012: Digi Awards (formerly Canadian New Media Awards), Best in Canadian culture, 2012: Digi Awards (formerly Canadian New Media Awards), Best in web series, non-fiction, Canadian Cultural Property Export Review Board, Public Servants Disclosure Protection Tribunal, This page was last edited on 24 December 2020, at 08:20. [11] They ceased to operate as of September 1, 2012. [4] The NFB HQ building is also named for McLaren, and is home to much of its production activity. Pudlo welc... omed the changes brought about by modern life into the Arctic (example in his work - the airplanes, which he adopted as one of his preferred subjects). NFB-branded series Retrovision appeared on VisionTV, along with the French-language Carnets ONF series on APTN. [citation needed], Early in its history, the NFB was a primarily English-speaking institution. [16] During that period, commissioner Albert Trueman, sensitive to how the Quiet Revolution was beginning to transform Quebec society, brought in Pierre Juneau as the NFB's "French Advisor". Other controversial productions included the 1981 film Not a Love Story: A Film About Pornography, a 1981 Studio D documentary critiquing pornography that was itself banned in the province of Ontario on the basis of pornographic content. [10] The NFB also offers support programs for independent filmmakers: in English, via the Filmmaker Assistance Program (FAP) and in French through its Aide du cinéma indépendant – Canada (ACIC) program. Digital Platforms: Chief Digital Officer: Human Resources: Director General: François Tremblay, Digital Studio in Vancouver, headed by Executive Producer, Animation Studio based in Montreal, headed by Executive Producer Michael Fukushima, Atlantic Centre based in Halifax, headed by Executive Producer Annette Clarke and Producer Paul McNeill, Quebec Centre based in Montreal, also headed by Executive Producer Annette Clarke, Ontario Centre based in Toronto, headed by Executive Producer Anita Lee, North West Centre based in Edmonton, headed by Executive Producer. [165] In 2010, the NFB website Waterlife, on the state of the Great Lakes, won in the Documentary: Individual Episode category. [32], As of March 8, 2016, researchers and librarians at the University of Calgary announced an archival project to preserve records of Studio D.[89], On March 8, 2016, NFB head Claude Joli-Coeur announced a new gender-parity initiative, with the NFB committing that half of all its production spending will be earmarked for films directed by women. [38], McLaren's Oscar-winning Neighbours popularized the form of character movement referred to as pixilation, a variant of stop motion. ", "The National Film Board of Canada in the Year 2000: Action Plan, A New Charter for a New Century", "What's inside the new NFB iPhone App - NFB/blog", "The NFB Films iPad app is now available! Imagine your hometown never changed. From documentaries about Biggie and Tupac to the Secret Life of Cats , there’s a lot to choose from. The NFB has received more than 90 awards from the Canadian Film Awards, the Genie Awards and the Canadian Screen Awards, including a Special Achievement Genie in 1989 for its 50th anniversary. Past graduates include Michèle Cournoyer, who took part in the program's 9th edition in 1989. The round head in between then resembles a pupil, making the entire symbol appear to be an eye with legs. In 1989, it received an Honorary Award from the Academy "in recognition of its 50th anniversary and its dedicated commitment to originate artistic, creative and technological activity and excellence in every area of filmmaking. The results of Grierson's report were included in the National Film Act of 1939. [84][85] A documentary was also made about the effort to increase aboriginal representation in filmmaking.[86]. 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