conceived their movement as promoting art that was "beyond the real," or, more provocatively, "more real than real." You need trust. It has received mostly positive reviews from critics and viewers, who have given it an IMDb score of 7.9 and a MetaScore of 84. © Letterboxd Limited. In short, what we have in That Obscure Object of Desire is a haunting paradox: Buñuel taps into a reality we all experience (i.e., that disjunct between projected image and concrete reality), but does it in a singularly offputting, bizarre, jarring, unsettling, and Buñuealian way. So, from what I can tell, there are three things going on here, three central elements to this film. (The mystery of what's in the sack is, frankly, more intriguing to me than "What's in the box?" After dumping a bucket of water on a beautiful young woman from the window of a train car, wealthy Frenchman Mathieu, regales his fellow passengers with the story of the dysfunctional relationship between himself and the young woman in question, a fiery 19-year-old flamenco dancer named Conchita. Starting from the top, what strikes me about the relationship between Mathieu and Conchita, aside from (or, perhaps, extrapolated from) the obvious age difference, is that it's essentially…, can i get uhhh lana del rey's entire discography to go. "That Obscure Object of Desire" (1977) was the last movie Luis Bunuel directed, and it's a good one with Bunuel using two actresses to play the same female character. It's a surrealist gesture unlike any other: a seemingly cohesive reality is presented before us (one man, one voice). Obscure Objects of Desire: A Jam Session on Non-Narrative By Raymond Durgnat, David Ehrenstein and Jonathan Rosenbaum. Seeming almost flattered by their curiosity, he tells them a story. that obscure object of desire Cet obscur objet du désir Luis Buñuel c* magnoliant liked this . Wait...what the what?! That's why Mateo beats Conchita to a bloody pulp in the film's gruesome climax, and why he gets so angry at Conchita's wild mood swings (willing sexual partner in one scene, cold virgin in the next) that he throws a bucket of water on her face. 55 films watched. There is no linking or other HTML allowed. Easily, the most interesting element of Luis Bunuel’s last film is the interchanging performances of Carole Bouquet and Angelina Molina as Conchita, which reflect the ever-shifting dynamics of her relationship with Mathieu as well as Mathieu’s own toxic obsession with her. Directed by Luis Buñuel. But in this one line, we get a sense that the teasing is for a reason. That Obscure Object of Desire is simply sexy and entertaining. But the Surrealists (Breton, Dali, Buñuel, et al.) 1,574 films watched. The most wonderful moment in a Buñuel comes when he's following a main character....and his camera will suddenly and fetishistically focus on an element that seemed innocuous but has now become an object of unwarranted attention. Not an official trailer for That Obscure Object of Desire. THAT OBSCURE OBJECT OF DESIRE Tuesday, March 12 7:50 Introduced by David Thomson (1977, Luis Buñuel) Ever-suave Fernando Rey’s maid – played without comment and interchangeably by cool French Carole Bouquet and sultry Spaniard Ángela Molina – continually frustrates him by resisting consummation while declaring her love. The camera lingers on this normal image for an abnormal amount of time. This film is so twisted, up until the final shot. That Obscure Object of Desire, made in 1977 when Buñuel was almost eighty, is a seductive work that exemplifies, even as it studies, the perversity of human desire. 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