Abstract Expressionism, broad movement in American painting that became a dominant trend in Western painting during the 1950s. The dominant artistic movement in the 1940s and 1950s, Abstract Expressionism was the first to place New York City at the forefront of international modern art. The Action painters used bold, expressive brushstrokes to convey inner thoughts and emotions. His violent and sinister Woman series of six paintings (1950-3), portraying a three-quarter-length female figure, exemplified his figurative style, although he also produced more abstract works. The designation Abstract Expressionism encompasses a wide variety of American 20th century art movements, and is usually characterized by large abstract painted canvases. The two main types of Abstract Expressionism were the "Action Painters" and the "Color Field Painters". In 20th century this trend manifested in biomorphic (organic) abstractions of Kandinsky and Surrealists, and in geometric (elementary) abstractions of Malevich and Constructivists. Abstract Expressionism evolved through the work of each individual artist. Types of Abstract Expressionism . The subject or point of the painting is the colors used, the textures in the artwork, and the materials employed to create it. Also known as The New York School, this movement in abstract art includes sculpture and other media as well. The movement comprised many styles varying in both technique and quality of expression. Abstract Expressionism as a style resumes the trend of rejecting representation in the art. Generally speaking, each artist arrived at this free-wheeling style by the end of the 1940s and continued in the same manner to the end of his or her life. This “intimate” communication is akin to religious ecstasy, when the spectator is "surrounded" by a picture and "dissolves" in it. This process is the subject of the art itself. TYPES OF ABSTRACT EXPRESSIONISM. Although Willem De Kooning is also grouped with Pollock in the highly charged active type of Abstract Expressionism, his works are different both technically and aesthetically to those of the latter. The associated artists developed greatly varying stylistic approaches, but shared a commitment to an abstract art that powerfully expresses personal convictions and profound human values. Within abstract expressionism were two broad groupings: the so-called action painters, who attacked their canvases with expressive brush strokes; and the color field painters who filled their canvases with large areas of a single color. Abstract Expressionism is also referred to as gestural abstraction because its brush strokes revealed the artist's process. Within abstract expressionism were two broad groupings: the so-called action painters, who attacked their canvases with expressive brush strokes; and the colour field painters who filled their canvases with large areas of a single colour.. As Harold Rosenberg explained: the work of art becomes an "event." Artists include Jackson Pollock, Mark Rothko, Joan Mitchell, and Helen Frankenthaler. "Abstract Expressionism" was never an ideal label for the movement, which developed in New York in the 1940s and 1950s. The style has remained alive well into the … One more general feature of Abstract Expressionism is paying more attention to the process of painting then to the result of it. For this reason, he referred to this movement as Action Painting. From many books about Expressionism, it seems the individual artists now labeled as Expressionists largely made it up as they went along, following their instincts as to what color to use, when and where.The 'breakthrough' was that color didn't have to be realistic. By this move Abstract Expressionism establishes a new type of contact between the painting and the spectator. Purely abstract work, like much of the Abstract Expressionist movement of the 1950s, actively shuns realism, revelling in the embrace of the subjective. It was somehow meant to encompass not only the work of painters who filled their canvases with fields of color and abstract forms, but also those who attacked their canvases with a vigorous gestural expressionism.

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