Please only submit music tracks that: Have not been placed in any media productions before, AND; Have never been re-titled or placed in a non-exclusive library; If your music fits this description, we are happy to take a … Do you have a fear of giving up the rights to your music? They're non-exclusive and they get a lot of good placements for TV, film, good synch fees and they file for PRO royalties correctly. Now, as the songwriter, you’re still going to get paid your portion for the songwriting, so you may think, "Who cares? Let me give you an example: HOW NON-EXCLUSIVES WORK… Let’s say I have a song called Sunny Day. You may find that you don't want to associate your music with the quality of those catalogs. Let them deal with it.” But ultimately Company A is getting paid for something they didn’t do, while Company B is going to be looking for the money that they’re owed… Guess who will find themselves in the middle of this conundrum? This is why many musicians initially decide to work with a non-exclusive music library instead of an exclusive one. Royalty Free Music re-imagined, is the Epidemic Sound approach to tackling the complexities of music licensing. Many composers and songwriters are lately being offered what seems like a deal too good to pass up: get film/TV placements of their music and a share of sync fees from non-exclusive distributors while retaining 100% of their copyrights. License Lab: Exclusive licensed music, smaller selection of high-quality tunes, not royalty free. Absolutely. Good point! They do not accept any music on a non-exclusive basis. Licensing music for use in television, movies, ads, radio, video games, digital apps, websites, ect, gives you that much needed income so you can continue to finance your additional music goals. On top of this, again generally speaking, non-exclusive licenses don’t generate the higher dollar placements that exclusives do. You don’t get fifteen minutes. Generally speaking, a non-exclusive library will take your song, re-title it, and administer the rights to the re-titled version of your song. Do you have a fear of giving up the rights to your music? Guides, tariffs and links to the best production music libraries around. There is some basic understanding of publishing and contracts that's required, but this is, after all, your business and career. Original, vintage Country songs with male or female vocals that were recorded between 1940 and 1979 are needed by a Non-Exclusive Music Library with a ton of credits in Feature Films, TV Shows, and TV Commercials. Tunefruit: A fun, fresh music marketplace for online video with convenient searching by popular genres and tags. I sign that song to a non-exclusive library, and they re-title the song Blue Skies. The number that gets bandied around a lot is 1500 tracks spread out over a number of different libraries both exclusive and non-exclusive. I've thought of creating some library music for TV etc to hopefully get some extra income and eventually a trickle of PRO royalties going on. The best place for when you want music for audio and audio-visual productions. You don’t have to look sharp, or have a shave, or buy a return trip to London. They’re looking for authentic recordings in All Tempos that might fit well on a playlist with the following references: You can also sell your music elsewhere non-exclusively. This is where working with multiple non-exclusives can turn into a big mess…. For many of us, our songs are our babies, and we don't want to just. Some libraries say you can submit music to them non-exclusively. What's the best music library to get started? In the rest of this post, I will explain the essentials (exclusive versus non-exclusive deals, synch fees versus performance royalties, the role of music libraries, etc.) So I'm thinking I might get something in that stands out, with relative ease. This can make high-end clients reluctant to use non-exclusive music. 5. I greatly appreciate your help. It's easier to focus marketing and promotional efforts to one source. In this video I talk about my thoughts on Non-Exclusivity in music libraries. What production music libraries work best for your style of music? No. Guess I'll just need to start writing and then think about who I should submit to. They are very selective and pitch to specific opportunities. What type of music do you do? This is totally understandable. With non-exclusive music libraries a composer gives the same piece of music to numerous music libraries, in effect "spreading their bet". On top of this, again generally speaking, If you're concerned that an exclusive library will own the publishing of your music forever, simply. Share with us in the COMMENTS SECTION BELOW: The Perfect Marriage of Musicianship and Entrepreneurship. Make sure there is a term-limit (3 years is fair), and be clear on the reversion clause. Lorem ipsum dolor sit amet, consectetur adipiscing elit, sed do eiusmod tempor incididunt ut labore et dolore magna aliqua. If you work with just one non-exclusive company to administer your music, then you probably won’t run into any issues, but here’s the problem… most people won’t. This is why many musicians initially decide to work with a non-exclusive music library instead of an exclusive one. When you run a search by using our HyperSearch, Instant Search, or by Mood or Style, once the tracks come up, you can sort by “Exclusive First” to see over 115,000 Exclusive tracks available only on our site. You will also need a lot of material. Any recommendations? That’s it. These non-exclusive music libraries usually re-title the track name, so it is harder to trace how many libraries a single piece of music may be in. Generally speaking, a non-exclusive library will take your song, re-title it, and administer the rights to the re-titled version of your song. Want to keep your music placement options open? If you know any library to stay away, please tell me. Original, vintage Country songs with male or female vocals that were recorded between 1940 and 1979 are needed by a Non-Exclusive Music Library with a ton of credits in Feature Films, TV Shows, and TV Commercials. June 24, 2012. Am currently on a few very specific exclusive libraries. Well, it starts with the quality of the catalog. Many non-exclusive companies have websites that allow just about anyone to ‘sign up’ for an account and upload their music for inclusion in the catalog. Want to Learn How to Successfully License Your Music to TV and FILM? BUT I want to focus my attention on getting you to actually start DOING something! AudioSparx offers both Exclusive and Non-Exclusive music for your productions. If you are serious about creating a long-term income, and long-term career through licensing, it's been my experience that you really have to go the exclusive route. But the main idea with the non-exclusive ones would basically be... well, you go to some of them and listen to some of the tracks and some of them don't sound very good. “Non-exclusive” deals allow you the freedom to work with whomever you want, but companies offering these deals are typically larger than an exclusive library and your content may have a harder time finding the spotlight. Composers and songwriters who want to submit music should follow the following guidelines. I'm curious why non-exclusive? Non-exclusive production music libraries enable a composer to sign a non-exclusive agreement allowing the artist to license the same piece to other libraries and clients with the same non-exclusive agreement. Hands-off. It's easy to submit on line with them but you do have to wait awhile for accept/reject notice. But yeah, it is indeed a good point about the exclusive libraries and their motivation to push your music out there. How to Submit Music to Music Libraries: A List of Music Submission Pages One of the best revenue streams I've found for music comes from licensing. If you work with just one non-exclusive company to administer your music, then you probably won’t run into any issues, but here’s the problem… most people won’t. The real truth is that this is a long game business that requires patience and persistence. Hi, I've thought of creating some library music for TV etc to hopefully get some extra income and eventually a trickle of PRO royalties going on. Semi-exclusive . September 30, 2020. by Music Connection. This allows you to retain the full rights to your originally titled song. (We get paid by our clients to source and license music for them.) Remember, same exact recording, just different titles…. You don’t get a meeting. them away. They’ll often start working with a second non-exclusive library, who will take the exact same song and re-title it Sunny Skies. I look for non-exclusive libraries, in which I can remove songs if necessary. Just think of us as another arrow in your quiver. This is totally understandable. You don't have to worry about a conflict with backend royalties and publishers fighting over the publishers share. In time you will build up a catalog that should generate a nice income stream. Good points: Once you’ve set up your tracks in music libraries (under non-exclusive deals, you can upload your catalogue in multiple libraries), the income you get from these platforms is passive. Non-exclusive means that you can pitch the same tracks that you have with us to other companies, while exclusive means that those tracks would be exclusive to Directional Music. should you sign with a non-exclusive library? We believe in the significant benefits for our clients provided by exclusivity in licensed music. Let’s say Company B secures a placement (Sunny Skies), however, for some reason the audio recognition software recognizes it as the version administered by Company A (Blue Skies). It is also important that they do not generate any type of Content ID (fingerprint or trace music). Let them deal with it.” But ultimately Company A is getting paid for something they didn’t do, while Company B is going to be looking for the money that they’re owed…. Blimey, what a change!But the fundam… Come On Down! And you certainly don’t get invited for a drink in the pub afterwards if the meeting went well!What you do get to do, is to send an email. Often there is no quality control regarding what gets added to those catalogs, and I’d encourage you, if you’re interested in working with some non-exclusives, before you sign up, take some time and listen to the music they represent. Confused? I think most of them have pretty specific styles. Can be libraries without royalties. Selected music will be available on MediaMusicNow (and any other sites we own and sell licenses from). Hands-on, personal approach to finding music. Zdravko Djordjevic. Press question mark to learn the rest of the keyboard shortcuts. You now have two different companies, as well as yourself, pitching the same exact recording, but under three different titles: These days we have audio recognition technology that can listen to a song and determine what, and whose, it is. If you're concerned that an exclusive library will own the publishing of your music forever, simply pay attention to the contract. This allows you to retain 100% of the publishing on Sunny Day. What’s going to happen is Company A will receive a royalty for the publishing on a placement they never secured, while Company B will be chasing after a royalty they should have received, but didn’t. By being a non-exclusive music library, it's obviously easier to grow your music library quickly. What might be the best libraries to submit to? You!! Want Your Songs to be Heard by Millions AND Generate a Consistent Income? Exclusive Contracts vs. Non-Exclusive Contracts with Music Libraries Posted by mazz on Wednesday, April 14th 2010 This topic has been coming up a lot lately and also I had the opportunity to hear about this from some of the bigger libraries recently and thought I’d weigh in on it. Non-Exclusive: Alright, the big benefit of being non-exclusive is that you can literally get your music out there, to anyone. New comments cannot be posted and votes cannot be cast, More posts from the WeAreTheMusicMakers community, Continue browsing in r/WeAreTheMusicMakers, Press J to jump to the feed. There are no inconsistencies in licensing fees. For many of us, our songs are our babies, and we don't want to just give them away. Let’s say I have a song called Sunny Day. What’s going to happen is Company A will receive a royalty for the publishing on a placement they never secured, while Company B will be chasing after a royalty, Now, as the songwriter, you’re still going to get paid your portion for the songwriting, so you may think, "Who cares? , non-exclusive licenses don ’ t generate the higher dollar placements that exclusives do, tariffs links! Approach to tackling the complexities of music licensing services, but they require exclusivity on all tracks added to library. The quality blows us away very different story is also important that they do generate... From ) course from the syncs a few very specific exclusive libraries and their motivation push! I have a shave, or buy a return trip to London basic understanding of publishing and contracts 's. Of high-quality tunes, not royalty Free administering the EXACT same song re-title. Allows you to retain the full rights to your music library instead of an exclusive one a! 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